How trade restrictions affect international trade Essay Example for Free

How trade restrictions affect international trade Essay How do international sanctions, tariffs, quotas, and trade restrictions affect international trade and costs of production?International sanctions are set in place typically to protect countries involved in trade. There are many types of sanctions that have been in place for quite a while but the most common sanctions are used to stop terrorism, which is extremely important to even more so since September 11, 2001. Sanctions regarding trade restrictions on weapons, ammunition, and other materials used to make weapons or explosives are common among countries. When it comes to tariffs, it is a tax on imports imposed by the government to raise funds. There are also many types of tariffs, which are used by nearly every government in the world to exploit more money revenue for that government. In many cases a tariff is in place to protect an industry in that country. A Quota is a way to describe the checks and balance system for which a government or business determines its supply and demand quantity. Different international sanctions, tariffs, quotas, and trade restrictions all can hamper international trade and may also increases the cost of production. How do tariffs and sanctions on the import of auto engines into the U.S. affect production and costs at Acme?Tariffs and sanctions ultimately would hinder Acme Motors on the import of auto engines and parts because the price of the production pieces would rise noticeably. At this current time United States benefits extremely from the North American Free Trade Agreement (NAFTA), since the U.S. does not impose tariffs and hampering sanctions on trades with Canada and Mexico. As explained in the first paragraph, that if tariffs were implemented the prices of these products would greatly increase because of the government take on this revenue which would lead to higher prices the consumers would end up paying. So far it has shown to be beneficial for the United States and Acme Motors having the lack of sanctions and tariffs. Do you agree with trade restrictions? When do you think they are successful?My personal thoughts are that trade restrictions are very important and that I do agree with these restrictions. While third world countries do not benefit from these restrictions it is still used to limit terrorist trade capabilities, maintains economies that are already  established, and controls the flow of productions that look to monopolize one or many different forms of business. The United States is heading into a recession or may already be knee deep into one but if the U.S. did not impose trade restrictions on certain countries the very foundation in which this country was established would be swept right out from underneath our feet. Reference: Sawyer, W.C., Sprinkle, R.L. (2003). International Economics, Second Edition. 2003 by Pearson Education, Inc., Upper Saddle River, New Jersey. Taylor, S. (2007, Feb 07). International Sanctions, Tariffs, Quotas, and Trade Restrictions. Retrieved on December 7, 2008, from http://www.associatedcontent.com/article/132626/international_sanctions_tariffs_quotas.html?cat=3

Woodstock 1969 :: essays research papers

When the word "Woodstock" is mentioned, what do you think of? Perhaps you think of the little yellow bird from the Peanuts cartoons, or maybe you think of a small town in New York. However, you also might know that Woodstock was the largest and most famous of all rock festivals. The Woodstock Music & Art Festival took place on Friday, Saturday, and Sunday, August 15th, 16th, and 17th, 1969. As you can imagine, a concert like Woodstock would have had to be planned very carefully. It didn’t just happen. Four young partners Michael Lang, the manager of a rock band, Artie Kornfeld, and executive of Capital Records, and two venture capitalists, John Roberts and Joel Rosenman, created Woodstock. Their original plan had been to build a recording studio in Woodstock, a small town in the Catskill Mountains, which had become a rock center. To promote the idea of the studio, the four partners decided to stage a concert, which they called Woodstock. Naming it after the town in which it was originally going to take place in. It started out as a moneymaking venture a rock concert, pure and simple. An attempt to duplicate or maybe even surpass the success of Monterey Pop, which attracted 50,000 people two years earlier. The Woodstock Festival was expected to attract 50,000 to 100,000 people. In the town of Woodstock, local residents became fearful about the possibility of a hippie invasion. The location was changed from the village of Woodstock, to the town of Wallkill, then finally to a farm at White Lake in the town of Bethel. The name was retained. They rented a 70 acre field from a prominent local dairy farmer, Max Yasgur, who owned land about 48 miles from Woodstock, in Bethel. Days before the festival, Upstate New York was ready. The city, county and state officials knew what to expect, and felt confident in their abilities to handle traffic, crowd control, sanitation, medical emergencies, and any unexpected problems. Finally, the day before the official opening, traffic jams up to 20 miles long blocked most roads leading to the area. On August 15th, the first day, the management was unable to monitor the estimated 400,000 or more people, and decided to abandon attempts at ticket taking because hundreds of thousands of people simply climbed over fences. For three days, the small town of Bethel, was the state’s third-largest city, with an estimated population range between 300,000 and 400,000 people.

Analysis Of Arthur Miller’s Death Of A Salesman Essay

This American drama was first premiered in 1949. It was an instant success and it also won Arthur Miller a place among one of the best American playwrights of the 20th century. It was a satirical attack on the Great American Dream of prosperity and material wealth and had also challenged the ideals of the past 160 years that constituted such dreams. This exemplary play by Arthur Miller is a modern masterpiece, in which the inherent conditions of human existence and a fierce battle to fight through it, is lived by the protagonist Willy Loman, that finally ends in a tragedy called, death. Willy Loman is a disillusioned sixty three year old man who has trouble distinguishing between past and present, and reality and illusions. His illusory beliefs draw an iron curtain before his sensibilities and he refuses to see the reality of his abject conditions. His tragedy lies in the fierce determination to fight an impossible battle and to seek facile solutions to his severe economic problems. In his relentless pursuit of an unrealistic dream Willy Loman submerges himself in a complete disengagement from reality that brings an end even more tragic than his life. Being an irrepressible old man he never really evaluates or understands the false and incomplete values of a venal American society. He fails to understand the vacuous idea behind the ‘Great American Dream’ and his limitless hope. A similar theme had been portrayed in ‘The Great Gatsby’ (Fitzgerald) where Gatsby was corrupted by money and dishonesty, and the Great American Dream of happiness and individualism disintegrates into mere pursuit of wealth. Although Gatsby had the power to turn his dream into reality, the character of Nick discovers that both Gatsby’s dream and the American dream is over. In the same way, Will’s persistent struggle against the forces of entropy in his life leads him to neurosis, and finally suicide. Theater is an imagined world, inhabited by imaginary characters, but tragedy strikes one and all, and the nature of tragedy is to hit our deepest consciousness and invade our sensibilities with its prolonged stay. Robert A Martin says in his essay, â€Å"The Nature of Tragedy†: â€Å"What the performance of a play gives an audience is less a set of ideas, propositions or abstraction about life and how to live it than what Arthur Miller has called ‘ a felt experience’, the imaginative sharing and participation in the lives and actions of imaginary characters. † In support of what Robert A Martin says, Willy Loman’s character pulls the audience along with its chain of tragedies and leaves one with a feeling of acute distress, but more than â€Å"a felt experience† it also gives one an insight into the inherent realities of human tragedies. In â€Å"Death of a salesman† the audience watch the tragic collapse of a single individual and the tragedy of the entire family, right before their eyes. The audience leave the auditorium with a whole new set of lessons in life and as Martin says â€Å"how to live it. † In his article Robert A Martin also elaborates on the vicarious influences of a tragedy, on the person, who watching it with a detached sense of belongingness. He says, â€Å" Theatre is the art of the possible† and as we read the play we believe that Willy Loman’s tragedies are not unbelievable or fictitious although his character was an imagination of the playwright Arthur Miller. As Aristotle said that Tragedy is something that evokes the emotions of pity and fear in the presence of an action of a certain magnitude. Willy Loman also falls into the trap of tragedy and as the nature of tragedy is, it brings about a fear in him. Willy tries to run away from that fear and refuses to accept his misfortunes and his failures. It mostly happens with dramatic experiences that our thoughts and emotions often correspond with those of the characters we watch in a play –we weep, smile and get moved by their performances. It continues to stimulate and engage us directly in our social, moral and political questions. The audience too goes through an inveterate interchange of pity and fear inside his mind as he watches a human being go through a painful hell, which is in Miller’s view due to his own obduracy. â€Å"Death of a salesman† is not just a tale of tragedy that happens to a broken, exhausted man, but is also a caustic attack on the American Dream of achieving wealth and success with no regards to principals and values of life. Willy Loman became a household name after the play was released and became a profound example of a tragic life, bowed down by struggles to cope up with a capitalistic society. Willy Loman’s tragedy does not lie just in his miserable economic condition, but also in his misplaced sense of pride. In the play he takes loans from his neighbor Charley to make both ends meet, but refuses to accept the offer of a better job from him. His warped sense of pride comes in the way of his chances to improve his conditions. His refusal to accept reality is a tragedy bigger than his dismal life, and it exasperates his son Biff with whom he had a troubled relationship. Willy refused to accept that his sons are also ‘failures’ such as him, and in order to make their lives better he falls into a trap of further hopelessness. A man’s descent to failure is horrendous to contemplate. Whatever line of work you are in, we are all salesmen, selling our products, our services, our selves†. Says Will’s meighbor Charley , in a line that crystallizes the anxiety of uncountable men everywhere, not just in America: â€Å" And when they start not smiling back. † –employers, partners, customers- â€Å" That’s an earthqauke. † ( Kilnghoffer, Undying Salesman, 1999). Willy Loman suffered from a feverish and unrealistic hopefulness and guilt of having failed his sons, and also the refusal to accept certain facts of life. The neurosis that set in him affected his life, and also him led to suicide. His death was perhaps a bigger tragedy than his life because it proved to be the final blow to the grief stricken family. Due to his persistent stubbornness he believed the notion that one is often â€Å"worth more dead than alive† (Miller, Pg76) and commits suicide, so that his family gets the insurance money and his sons lead a better life with that money, than he did when he was alive. Willy did not realize that insurance money is invalidated when a person commits suicide. As Biff says at the graveyard, â€Å" He had the wrong dreams. All, all wrong. † In this play tragedy is on two fronts. One is ‘literal’, when Willy dies after an unrelenting wrestle with his fate, and another is a ‘symbolical’ death, that was the death of the American Dream, or ridding of a false notion of perfection. Willy’s guilt, his idolization of his sons and his constantly haunting memory of his brother turns his life into a pitiful tragedy and he lives through it all with an immature sense of unreality. In trying to project himself as an ideal father and salesman he plunges himself into an illusory world where he never really grew up. â€Å"I’m gonna show you and everybody else that Willy Loman did not die in vain. He had a good dream. It’s the only dream you can have- to come out number –one man. He fought it out here, and this is where I’m gonna win it for him. † (Miller, Death of a Salesman, Act2) The misfortune of Willy was that he tried to retrieve his lost dignity and his family’s love and also a magnified image of himself as an ideal salesman and father, on the last day of his life, and loses all. His complete disengagement from reality is what the tragedy is all about. It evokes the pity and fear that Aristotle spoke about in ‘Poetics’ (330 BC). The character of Willy Loman is befitting the concepts of Aristotle’s’ Tragedy. â€Å"True to life† (realistic), â€Å"consistency† (true to themselves): meaning, once a character’s motivation and personality are established these should continue throughout the play. â€Å"Necessary or probable†: meaning, characters must be logically constructed according to the law of ‘probability or necessity’ that govern the actions of the play. Finally, â€Å"true to life† and yet more beautiful (idealized, ennobled). Death of a Salesman has that true to life aspect, depicting the fact that any middle class man with limited means, would get into the delusionary world of dreams and aspirations of more wealth and the terrifying darkness that lies coiled beneath such unrealism. Consistency of the portrayal is apparent in Loman’s relentless pursuit of an elusive life. The necessary probability is the fact that such a dogged belief in illusionary world nearly always creates a graph of downward slide in a person’s life. True to life, is the condition of tension that is life and human existence. Death of a Salesman is a modern masterpiece that celebrates, as Chris Bigsby expressively states, â€Å" the miracle of human life, in all its bewilderments, its betrayals, its denials, but finally and most significantly, its transcendent worth. † (Poet, 723).

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